Showing posts with label miami. Show all posts
Showing posts with label miami. Show all posts

06 January 2007

afternoon tea, slow food miami style


Slow Food Miami
www.slowfoodmiami.com

Sunday, Jan 21, 2007, 4-6 pm
Launching 2007: A Royal Afternoon Tea
Theine Tea Salon
119 Madeira Ave, Coral Gables

Reserve your place at the tea table directly with Theine by calling 305-774-0228.

From 4 to 6pm at Theine, Coral Gables' most authentic tea salon, join us for Afternoon Tea, a satisfying selection of delicious teas, savories and sweets. This first gathering of 2007 is chance to relax together in an atmosphere that is decidedly, and deliciously, different from the hectic pace of the Miami winter months. The $45 cost includes gratuities. Theine will donate a portion of the proceeds to Slow Food Miami education programs. For those of you who haven't been to Theine, learn more about the Theine concept, Chef Kyra White and the tranquil setting at www.theineteasalon.com

Please consider staying for a brief organizational meeting after the tea if you are interested in a leadership role with Slow Food Miami.

Reservations required. Contact Theine directly at 305-774-0228. RSVP by phone only, please!

21 August 2006

kvetching, art and cooking - September events at Books & Books

Below is a list of events that I would DEFINITELY attend if I were in Miami. They include a linguistic exploration of Yiddish, a celebration of Cuban poetry (including my talented advisor, Ruth Behar), tragic photographs, Queer humor and a self-assigned cooking project. Go to the Books and Books website to see all of the events.


Sunday, September 10, Coral Gables, 4pm
In the popular imagination, Yiddish is an ancient language with many ways to express grumbling, hand wringing and displeasure, full of earthy attitudes and vulgar humor. While that's all true, it's not a complete picture. In Born to Kvetch: Yiddish Language and Culture in All of Its Moods (Harper Perennial, $13.95), author and expert Michael Wex takes a probing look at just what makes Yiddish, the principal spoken language of the Jews for over a century, so original, so resilient - and so full of complaint. Almost impossible for a non-Jew to learn or understand, Yiddish started out as a bastardized version of German to give voice to systemic exclusion and exile. Born to Kvetch explores Yiddish in relation to nature, food, childhood, courtship and marriage, sex (setting the record straight on the difference between shmuk and puts, both part of the colloquial vernacular, neither for use in mixed company!) and death, all topics worthy of a good kvetch. Armed with stories, anecdotes and perfectly delivered punch lines, Wex strikes a skillful balance between the somber and the comical aspects of his subject matter. 4pm

Wednesday, September 13, Gables
Burnt Sugar Caña Quemada: Contemporary Cuban Poetry in English and Spanish (Free Press, $14) brings us the sights, sounds, and rhythms of Cuba, revealed in the evocative works of some of the finest Cuban and Cuban-American poets of the twentieth century, including Gustavo Pérez Firmat, José Abreu Felippe, Enrique Sacerio-Garí, Reinaldo Arenas, Heberto Padilla, Pablo Medina, Agustín Acosta, Angel Cuadra, Eugenio Florit, Severo Sarduy, Virgil Suárez, Sandra M. Castillo, Lissette Méndez, Ruth Behar, Rita Geada, Belkis Cuza Malé, Ricardo Pau-Llosa, José Kozer, Orlando González Esteva, Uva de Aragón, Adrián Castro, Carolina Hospital and Armando Valladares, among others. Bestselling translator Lori Marie Carlson and Pulitzer Prize-winning author Oscar Hijuelos have created an intimate collection of some of their favorite modern poems, all of which are informed by cubanía -- the essence of what it means to be Cuban. Stirring, immediate, and universal in its sensibility, Burnt Sugar is a luminous collection lovingly compiled by two of the world's foremost authorities on the subject. This event is presented in collaboration with the Florida Center for the Literary Arts and the Florida Immigrant Advocacy Center (FIAC). 8pm

Thursday, September 21, Lincoln Theatre, 541 Lincoln Road, Miami Beach
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. His work is in the collection of the MOMA, the Metropolitan Museum of Art and many others. After the destruction of the World Trade Center in New York on September 11, 2001, nobody who was not directly involved in the recovery effort was allowed on the Ground Zero site. Journalists were included in this ban, but, with the help of the Museum of the City of New York and sympathetic city officials, Meyerowitz became the sole photographer granted unimpeded access to the site. For eight months, at all times of the day and night, he photographed “the pile” as the WTC came to be known, and the 800 people a day that were working in it. Influenced by Walker Evans and Dorothea Lange’s work for the Farm Security Administration during the Great Depression, Meyerowitz knew that if he didn’t make a photographic record, there would be no history. His work is contained in a major new book, Aftermath (Phaidon, $75) that features, for the first time, the vast archive of his unpublished photos from Ground Zero. Join us for an unforgettable program, Ground Zero Through the Artist’s Lens: An Evening with Joel Meyerowitz. FREE tickets for this event are available at all Books & Books locations, beginning September 1st. 7:30pm

Thursday, September 28, Miami Beach
Fun Home: A Family Tragicomic (Houghton Mifflin, $19.95) by Alison Bechdel (the author of the long-running comic strip, Dykes to Watch Out For) takes its place alongside the unnerving, memorable, darkly funny family memoirs of Augusten Burroughs and Mary Karr. It's a father-daughter tale pitch-perfectly illustrated with Bechdel's sweetly gothic drawings and- like Marjane Satrapi's Persepolis- a story exhilaratingly suited to the graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian house, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescence, the denouement is swift . . . graphic . . . and redemptive. This event is presented in collaboration with the Miami-Dade Gay and Lesbian Chamber of Commerce and Design Within Reach. 8pm


Saturday, September 30, Gables
On a visit to her childhood home in Texas, Julie Powell pulls her mother's battered copy of Julia Child's Mastering the Art of French Cooking off the bookshelf. And the book calls out to her. Pushing thirty, living in a run-down apartment in Queens, and working at a dead-end secretarial job, Julie Powell is stuck. Her only hope lies in a dramatic self-rescue mission. And so she invents a deranged assignment: in the space of one year, she will cook every recipe in the Julia Child classic, all 524 of them. How hard could it be? With fierceness, irreverence, and unbreakable resolve, Powell learns Julia Child's most important lesson: the art of living with gusto. Julie & Julia: My Year of Cooking Dangerously (Little, Brown & Co., $13.99) is "a feast, a voyage, and a marvel," says Elizabeth Gilbert, author of The Last American Man, for anyone who has ever cursed at a cookbook or longed for a more delicious life. Tonight, the Café at Books & Books Coral Gables will offer a Julia Child-inspired menu to celebrate the author’s reading. Powell’s visit last year was cancelled because of Hurricane Wilma, so we are hoping to make it up to her during the paperback tour. Please join us! 7pm

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01 August 2006

Castro ill, future uncertain


Fidel Castro has recently turned over "temporary power" to his brother, Raul, as he has fallen ill and must undergo surgery. He has explained his illness is a result of stress due to recent world affairs and travels. Castro has NEVER turned over power! Even when he fell, and shattered his kneecap, he was still the man in charge. What does this mean for the future of Cuba? The people of Cuba? And, what will exiles, who mainly live in Miami, do now and in the future?

Well, from what I have been watching on the news, Miami's Cubans are celebrating as if they "have won the world cup" (Associated Press). Watch the video on this page.

Politicians in Miami have been plotting for the demise of Castro since he took power in 1959. Now, the US government has officially come out with the Compact with the People of Cuba. It is basically a written plan that says the US government will "help" the Cuban people with medical supplies, food and other goods should they "ask" for help.

What the US government and Miami Cuban exiles fail to consider is the thoughts and feeling of those people actually still living IN Cuba. In my opinion, it is their decision; not mine, not the US government, and NOT Cuban exiles. I understand the connection to Cuba, but they made a decision to leave, and make a life in a different country. To most who left, the measure of success is how many material goods they can acquire. In Cuba, there must be a different measure: life, family, leisure time. They cannot acquire material goods, but SO WHAT!

And, what is the reaction in Cuba today? From what I have seen on the news, it is "business as usual." What? No protests? Revolts? Revolution? Wouldn't this be the time, if they so desire, to pressure Castro out of power? Not happening . . .

More to come, as I process and collect thoughts and info.

11 July 2006

karma art

Artist, lara stein pardo, is seeking some good karma artists to help deconstruct Tracked. Tracked is a performance installation piece which has been on view at the Art Center since July 4. There will be three more performances, and then I need to take this baby down. I'd really appreciate any help I can get with tearing it down, and hauling the materials away. In exchange, I can offer you some paint, some wood, good times, free parking, and of course, good karma.

Date: July 19, 2006
Time: 10 AM - it's done (the more people the better! and faster!)
Place: 924 Lincoln Road, Miami Beach, FL, 33139, Art Center, 2nd Floor


Please RSVP to let me know what time you plan to arrive, what tools you are bringing, and what materials you'd like to reserve. I'll pay for your parking if you RSVP :)

Here are a couple of pictures of the piece: