Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

05 January 2007

Urban Bush Women Needs YOU



JOIN URBAN BUSH WOMEN IN MAKING SOUL-STIRRING, MIND CHALLENGING, FIERCELY PASSIONATE ART...ALL AROUND THE WORLD!
Dear friend and believer in transformative art,
Many of you received this appeal via traditional post. However, in this new year, we could not resist temptation to recount where we've been and where we are going. We also wanted to give you, our loyal fans, another opportunity to contribute to Urban Bush Women's success by making an online donation at http://urbanbushwomen.pmailus.com/pmailweb/ct?d=CgN8hwAOAAEAAAH9AAD4sA.
Urban Bush Women are passionate about the power of dance to transform lives, tell untold stories and engage communities with their own destiny. Urban Bush Women are on a journey to inspire, educate, and challenge audiences through dance, spoken word and music. Here are some of the places our journey has taken us in the past year... and a few new places we intend to visit in the upcoming year. JOIN US!
Sincerely,
Tammy Bormann, Chair, Board of Directors


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08 December 2006

Role of Arts in a Time of Crisis

(click post title to link to video and text)

Mary Schmidt Campbell, Dean of the Tisch School of the Arts at New York University, presented this keynote address at a conference last year in Brazil, called "Performing Heritage." In this keynote speech, she addresses the role of arts, the public intellectual and response to government and political policy. There is a full text and video of her address, available at the link above.

Ayanna turned me on to this series of conferences called Encuentros, which are really a mix of academics and arts. The next one is taking place in Argentina, and focuses on body politics. The deadline for proposals is January 15, 2007, and you can access info at this website.

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07 December 2006

Scratch and Sniff Art Exhibit


(click post title to read entire story)

My partner sent me this article about a really inventive idea for an art piece. I only wish I had thought of it first. Read on . . .

Exhibit captures the 'smell of fear'

RODRIQUE NGOWI,
Associated Press Writer
Wed Dec 6, 6:17 PM ET

CAMBRIDGE, Mass. - Masahiro Sugiyama walked up to the gallery wall, gently scratched the paint and cautiously moved closer to capture the smell that many would try to avoid or mask with deodorants under normal circumstances.

A potent odor similar to that of an unwashed male armpit wafted from the wall, a scratch-and-sniff exhibit that captures the "smell of fear" as part of a show at the Massachusetts Institute of Technology exploring how artists use modern technology in creative work.

"This is not the kind of place where you you'd want to stay for long," MIT graduate student Sugiyama, 28, said of the artwork created by Norwegian artist and researcher Sissel Tolaas.

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13 November 2006

the Bluest Eye: Detroit this weekend


The Bluest Eye is playing at Plowshares Theater through the end of this weekend. Don't worry about getting a bad seat because it's general admission! I just bought my tickets, and I am super excited to see this adaptation of Toni Morrison's book. Here the description from the theater's website:

Eleven year-old Pecola Breedlove has desired the love of her family and friends all her young life. Instead, she faces constant ridicule and abuse. Blaming her dark skin, Pecola prays for blue eyes - as blue as Shirley Temple's. Everyone adores little blue-eyed girls. Her prayers are granted in the most poignant way. The Bluest Eye is the heartrending story of a young black girl's tragic coming of age in 1941 Ohio. Toni Morrison’s poetic and piercingly relevant debut novel is brought to the stage with loving care by playwright Lydia R. Diamond.


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06 November 2006

a poem to kick your butt to the polls!


a poem from Staceyann Chin on tomorrow's necessity . . . I have already sent in my absentee ballot, so you all go on and exercise that right.


Why the Fuck Should I Vote in 2006? (only a portion, go to her myspace to read the whole thing)
by Staceyann Chin (www.myspace.com/staceyannchin)


Less than twenty-four hours

left

before the mid-term elections



the weeks have tricked us

into days/the moment

descends and my fingers itch

for a poem

a great rage to inspire you

to rise you up

early or late tomorrow



to go vote



for Katrina

and the ill winds that flapped

incumbent at the throats of old women

who marched in Selma



for the children who will never know

the New Orleans into which they were born



for Alabama

and Georgia



for Tennessee

Missouri



New York City and how this town

has become a place

only the wealthy can enjoy

vote against these small boxes we pay

entire months wages for



every month

I have to cut something else

snip

snip

snip away at the doors Black teenagers can walk through

pile all the Puerto Ricans on top of each other

call them Mexicans

because you don't know better



if your mother is Dominican

if your father is from Barbados

your older brother is still in Belize

grandfather is in Nigeria



if your maternal grandmother is Jamaican

if you have never seen the city where your people are from

white as a WASP and liberal

or independent

or you used to be republican



Go Vote

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18 October 2006

being a woman artist


Guerrilla Girls
Originally uploaded by 16_sparrows.

i am supposed to be working on writing my NSF grant, and instead i got lost looking at flickr photos. but, this has some bearing on the subject of what it means to be a caribbean woman artist, so i thought i would share.



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09 October 2006

a girl like me


read this opinion piece, by Leonard Pitts in the Miami Herald. it's associated with this video by Kiri Davis. she's a 17 year old who made a short film about the self-image of young black women. in this short film, which is part of the media that matters film festival, davis investigates self-image, beauty and how young women understand their own histories. she also recreates a 1930s "doll test" which engages young children to express the ideas and stereotypes they've already been shaped by.


soon to come on this blog (i will try. grad school work is keeping me far away from blogging.)
-a weekly recipe so long overdue, i should just call them "monthly"
-why do we still have a holiday called "columbus day?"
-what i learned from sandra cisneros

thanks for hanging in there. meanwhile, i'd like to let you know that comments really motivate me, so keep 'em comin',

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22 September 2006

Sandra Cisneros and Ruth Behar, Ann Arbor



Thursday, September 28, 7:30pm, in the Rackham Auditorium


The Hispanic Heritage Month 2006 Keynote Address will feature Sandra Cisneros on “Why I’m Not Hispanic.” Sandra Cisneros is a novelist, poet, short story writer, and essayist whose work gives voice to working-class Latino and Latina life in America. Her lyrical, realistic work blends aspects of “high” and popular culture. Her work includes the novels: The House on Mango Street (1983) and Caramelo (2002), Woman Hollering Creek and Other Stories (1991), poetry: Bad Boys (1980), My Wicked Wicked Ways (1987), and Loose Woman (1994), a children’s book Hairs/Pelitos (1994), and Vintage Cisneros (2003), a compilation of her works. In 1995 Cisneros was awarded the prestigious MacArthur Foundation Fellowship and in 2003 she received the Texas Medal of the Arts. She lives in San Antonio, TX, where she has created the Macondo Foundation, a unique writers workshop with a Latino focus and a commitment to community service.
Followed by a light reception and book signing by Sandra Cisneros.



Friday, September 29, 11am-1pm, in 3512 Haven Hall


Talking in our Pajamas: A Conversation Between Sandra Cisneros and Ruth Behar. Dressed in their pajamas, author, Sandra Cisneros and U-M Professor of Anthropology and Women’s Studies, Ruth Behar will have a public conversation. They will discuss a range of topics, including writing, books, and being Latinas, topics which they have been talking about for over a decade. A continental breakfast will be served.

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21 August 2006

kvetching, art and cooking - September events at Books & Books

Below is a list of events that I would DEFINITELY attend if I were in Miami. They include a linguistic exploration of Yiddish, a celebration of Cuban poetry (including my talented advisor, Ruth Behar), tragic photographs, Queer humor and a self-assigned cooking project. Go to the Books and Books website to see all of the events.


Sunday, September 10, Coral Gables, 4pm
In the popular imagination, Yiddish is an ancient language with many ways to express grumbling, hand wringing and displeasure, full of earthy attitudes and vulgar humor. While that's all true, it's not a complete picture. In Born to Kvetch: Yiddish Language and Culture in All of Its Moods (Harper Perennial, $13.95), author and expert Michael Wex takes a probing look at just what makes Yiddish, the principal spoken language of the Jews for over a century, so original, so resilient - and so full of complaint. Almost impossible for a non-Jew to learn or understand, Yiddish started out as a bastardized version of German to give voice to systemic exclusion and exile. Born to Kvetch explores Yiddish in relation to nature, food, childhood, courtship and marriage, sex (setting the record straight on the difference between shmuk and puts, both part of the colloquial vernacular, neither for use in mixed company!) and death, all topics worthy of a good kvetch. Armed with stories, anecdotes and perfectly delivered punch lines, Wex strikes a skillful balance between the somber and the comical aspects of his subject matter. 4pm

Wednesday, September 13, Gables
Burnt Sugar Caña Quemada: Contemporary Cuban Poetry in English and Spanish (Free Press, $14) brings us the sights, sounds, and rhythms of Cuba, revealed in the evocative works of some of the finest Cuban and Cuban-American poets of the twentieth century, including Gustavo Pérez Firmat, José Abreu Felippe, Enrique Sacerio-Garí, Reinaldo Arenas, Heberto Padilla, Pablo Medina, Agustín Acosta, Angel Cuadra, Eugenio Florit, Severo Sarduy, Virgil Suárez, Sandra M. Castillo, Lissette Méndez, Ruth Behar, Rita Geada, Belkis Cuza Malé, Ricardo Pau-Llosa, José Kozer, Orlando González Esteva, Uva de Aragón, Adrián Castro, Carolina Hospital and Armando Valladares, among others. Bestselling translator Lori Marie Carlson and Pulitzer Prize-winning author Oscar Hijuelos have created an intimate collection of some of their favorite modern poems, all of which are informed by cubanía -- the essence of what it means to be Cuban. Stirring, immediate, and universal in its sensibility, Burnt Sugar is a luminous collection lovingly compiled by two of the world's foremost authorities on the subject. This event is presented in collaboration with the Florida Center for the Literary Arts and the Florida Immigrant Advocacy Center (FIAC). 8pm

Thursday, September 21, Lincoln Theatre, 541 Lincoln Road, Miami Beach
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. His work is in the collection of the MOMA, the Metropolitan Museum of Art and many others. After the destruction of the World Trade Center in New York on September 11, 2001, nobody who was not directly involved in the recovery effort was allowed on the Ground Zero site. Journalists were included in this ban, but, with the help of the Museum of the City of New York and sympathetic city officials, Meyerowitz became the sole photographer granted unimpeded access to the site. For eight months, at all times of the day and night, he photographed “the pile” as the WTC came to be known, and the 800 people a day that were working in it. Influenced by Walker Evans and Dorothea Lange’s work for the Farm Security Administration during the Great Depression, Meyerowitz knew that if he didn’t make a photographic record, there would be no history. His work is contained in a major new book, Aftermath (Phaidon, $75) that features, for the first time, the vast archive of his unpublished photos from Ground Zero. Join us for an unforgettable program, Ground Zero Through the Artist’s Lens: An Evening with Joel Meyerowitz. FREE tickets for this event are available at all Books & Books locations, beginning September 1st. 7:30pm

Thursday, September 28, Miami Beach
Fun Home: A Family Tragicomic (Houghton Mifflin, $19.95) by Alison Bechdel (the author of the long-running comic strip, Dykes to Watch Out For) takes its place alongside the unnerving, memorable, darkly funny family memoirs of Augusten Burroughs and Mary Karr. It's a father-daughter tale pitch-perfectly illustrated with Bechdel's sweetly gothic drawings and- like Marjane Satrapi's Persepolis- a story exhilaratingly suited to the graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian house, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescence, the denouement is swift . . . graphic . . . and redemptive. This event is presented in collaboration with the Miami-Dade Gay and Lesbian Chamber of Commerce and Design Within Reach. 8pm


Saturday, September 30, Gables
On a visit to her childhood home in Texas, Julie Powell pulls her mother's battered copy of Julia Child's Mastering the Art of French Cooking off the bookshelf. And the book calls out to her. Pushing thirty, living in a run-down apartment in Queens, and working at a dead-end secretarial job, Julie Powell is stuck. Her only hope lies in a dramatic self-rescue mission. And so she invents a deranged assignment: in the space of one year, she will cook every recipe in the Julia Child classic, all 524 of them. How hard could it be? With fierceness, irreverence, and unbreakable resolve, Powell learns Julia Child's most important lesson: the art of living with gusto. Julie & Julia: My Year of Cooking Dangerously (Little, Brown & Co., $13.99) is "a feast, a voyage, and a marvel," says Elizabeth Gilbert, author of The Last American Man, for anyone who has ever cursed at a cookbook or longed for a more delicious life. Tonight, the Café at Books & Books Coral Gables will offer a Julia Child-inspired menu to celebrate the author’s reading. Powell’s visit last year was cancelled because of Hurricane Wilma, so we are hoping to make it up to her during the paperback tour. Please join us! 7pm

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20 July 2006

Tracked pictures

Here are a few from the first two nights. More after my big move up north . . .



11 July 2006

karma art

Artist, lara stein pardo, is seeking some good karma artists to help deconstruct Tracked. Tracked is a performance installation piece which has been on view at the Art Center since July 4. There will be three more performances, and then I need to take this baby down. I'd really appreciate any help I can get with tearing it down, and hauling the materials away. In exchange, I can offer you some paint, some wood, good times, free parking, and of course, good karma.

Date: July 19, 2006
Time: 10 AM - it's done (the more people the better! and faster!)
Place: 924 Lincoln Road, Miami Beach, FL, 33139, Art Center, 2nd Floor


Please RSVP to let me know what time you plan to arrive, what tools you are bringing, and what materials you'd like to reserve. I'll pay for your parking if you RSVP :)

Here are a couple of pictures of the piece: